「弘化期・万延期における江戸城本丸御殿大奥御殿向の室内意匠による殿舎の格」に対する討論 （服部佐智子著 日本建築学会計画系論文集, 第79巻, 第697号, 789-797, 2014年3月号掲載）

平井 聖

doi:10.3130/aija.80.2425

Journal of Architecture and Planning (Transactions of AIJ)

Online ISSN : 1881-8161
Print ISSN : 1340-4210
ISSN-L : 1340-4210

DISCUSSION ON RESEARCH ACTIVITY PUBLISHED AS “HIERARCHY OF VARIOUS EDIFICES WITHIN THE PRINCIPAL SECTION, OHOKU GOTEN-MUKI, IN THE WOMEN'S QUARTERS OF EDO CASTLE, UNDER THE STATUS OF INTERIOR DECORATION-SYSTEMS, DURING THE KOKA-MANEN ERAS”

(Sachiko HATTORI, J. Archit. Plann., AIJ, Vol. 79 No. 697, 789-797, Mar., 2014)

Kiyosi HIRAI

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Keywords: Edo-Castle, Oku, Ceiling and Transom Decoration

JOURNAL FREE ACCESS

2015 Volume 80 Issue 716 Pages 2425

DOI https://doi.org/10.3130/aija.80.2425

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Abstract

This discussion includes two articles as follows:－
1. Transoms between Gedan to Ninoma in Tainenzyo are carved wooden transoms, and in Singoten are fretwork transoms. The fretwork transoms are simpler than caved transoms. Therefore, there is hierarchy between those two types of transoms.
2. Kin-un-sunago and kin-sunago are not the so called karakami wallpaper. Sunago sprinkled by painters. Therefore, there is hierarchy among paintings, sunago and karakami.

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